Showing posts with label Merchant. Show all posts
Showing posts with label Merchant. Show all posts

Tuesday, November 6, 2007

Shylock's skull-cap...

...should be spelled "yarmulke." This is a transliteration from Yiddish, hence the occasional variation in spellings.

Tuesday, October 16, 2007

Discussion questions (week 7)

In preparation for the midterm next week, our discussion on Friday will function as a sort of mini-review. To this end, I'd like you to come to class having completed three review-centric tasks:
  1. Write up a list of the terms that Heather has put on the board, and their definitions. I'd like to spend the beginning of discussion reviewing terms you're unsure about.

  2. Write up a list of the themes that pertain to MSND, the sonnets, MoV, and H5. These lists should include those themes Heather has put on the board or suggested in her lectures, but don't stop there -- add to these lists any themes you find striking or persuasive but which haven't come up in class.

    Pay particular attention to the themes that apply to multiple texts -- again, these may or may not be themes that Heather has put on the board.

  3. MOST IMPORTANTLY, write an essay question in the style of Heather's examples. You can download the essay questions Heather wrote for last year's midterm here (PDF). Notice that these questions usually
    1. Require comparison either between plays or within a single play
    2. Connect to ideas Heather has raised in lecture once or twice, but not to issues central to those lectures
    3. Ask you to connect a theme (e.g. the role of power in politics and in relationships) to a technique (e.g. closure, pairing, mirroring, etc.)

Sunday, October 7, 2007

Essay 2: a preview

Your second essay isn't due for two months. That sounds like a good thing, but since it will be due at the very end of the semester you might want to begin thinking about it now so that you don't find yourself crushed by all the work you have to do in the last week of classes.

You will be able to write on any one or two performances (cinematic or theatrical) of any of the plays we read from now until the end of the semester: The Merchant of Venice, Henry V, Macbeth, or The Tempest.

Although I reserve the right to change the wording in the next month, the essay topic will look more or less like this: 

How does this performance respond to the themes of the play? What themes does it emphasize? What themes does it ignore? What themes does it add? As a scholar of Shakespeare, why do / don't you feel that this interpretation was successful?

In your analysis, take into consideration at least two of the following:

  • Directorial decisions, including the setting
  • Actors' interpretations of their roles
  • Blocking, intonation, and other features of actors' performances
  • Costume design, scenery and stage design, music, lighting, and (if applicable) camera work
Your essay should focus on a single performance, but you are welcome to refer occasionally to a second performance if you feel you can make your point more successfully through comparison.